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For instrument and electronic soundtrack.
Difficulty: end of 2nd cycle of study.

Attached file:
1 full version with example
2 single complete soundtrack for the concertsoundtrack alone
3 soundtrack alone (part A) for training
4 soundtrack-only (part B) for training

-Note for performers and audience-

Argument: "Voluptuous zithers in electro-nervous variationsArtists, Mystic Rave shapes a sensual and exalted pas-de-deux, an incandescent melee where frantic acoustic instruments and beats invite and respond tirelessly."

Mystic Rave is a composition called "crossover".Using the instrumentalist's play modes, although they are clearly descriptive, evokes the modern language of today's experimental music. However, the atmosphere of the soundtrack immerses us in an environment "world music" suggestive first "middle eastern", then more "electro-pop" in a night universe, urban, energetic almost "whacky".
Perfectly designed for a second part of the second cycle, Mystic Rave is a concert work that has all the elements "techniques" to also become a piece of competition. Young instrumentalists should have fun playing with the playful tones of the first part before setting off in jerky and syncopated rhythms.

- important information -
This composition was thought by the authors with contemporary dancee; the two parts being very different: the first will allow the(x) dancers(Artists) a free improvisation in accordance with the sound elements, the second is fixed by the tempo and ideal for an urban or even festive dance.
Google machine translation: Original story of the work