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Learning and implementation of the main modes of play in contemporary music. Through several years of experience in my classes, I have tried to group the tools in this book that I consider essential for a young clarinetist of the twenty-first century. It's open to instrumentalists of the first cycle and early second. This is not a method per se, to comply with an order or progression established. C is rather a sum of proposals that would also be a door of entrance to other worlds to imagine. D Furthermore, the students will be the first to rush to s if the industry is encouraged. Some techniques may seem difficult at first but be aware of changing perspective and overcome reading. The gesture is often easier than its rating. C. Therefore, once the basic technical understood thanks to the exercises, I advise to go as often as possible by prior improvisation and orality. Before returning to play.
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