Jean-Christophe MARTI
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Jean-Christophe Marti was trained at the Conservatory of Boulogne Billancourt (clarinet, Chamber Music, Writing) and at the Paris Conservatoire (aesthetic, history). He also studied conducting for several years with Jean-Claude Hartemann in Paris and at the Mozarteum in Salzburg, before devoting himself to composition under the auspices, inter alia, Clement Janequin, Marguerite Duras and the satyr Marsyas. Son goût pour les textes littéraires l'amène alors à écrire de nombreuses ?uvres vocales ou scéniques, which were commissioned especially by Musicatreize (Grand scenery of Alexander the Great, musical tale 12 voicevoice, and percussion 2 actors playing in sign language, scenically set in 2009 à l ?Abbaye de Fontevraud, CD book published by Actes Sud ; Nancy cries 2008, Déméture on déméture, Year One) Laurence Equilbey (Bar iona), Les Arts Florissants (And all the lives), cries of Paris (Psalm 74), Ch?ur en scène (Uncommonly), foundation Nadia and Lili Boulanger (Hopscotch or melody for the final of the International Competition voice and piano 2009). He received the Prix Maurice Ohana-Sacem with The Last words Virginia Woolf wrote to 12 voicevoice, is the recipient of the Foundation and scholarship Natexis Beaumarchais / SACD project Miniane / Summer 39. He also wrote orchestral pieces (H sucked for Philharmonic Hall, Händel Festival 2003, Oikoumene for the Youth Orchestra of the Mediterranean) and creates unique musical, such as The Album of the bird spoke and Timsongs after drawings by Tim Burton, created at the Cité de la Musique in Paris He sees his work at the intersection of performing arts, Film creation, Research and precise intellectual buissonnières (ethnography, social science, civic engagement), performance and educational interventions or occasional nomads. Theater, He has worked with directors Stéphane Olry (Lightning Review), Vincent Lacoste, Jean-Yves Ruf, Arthur Nauzyciel, Emilie Valantin, Werner Olivier, Eric Ruf, Christian Rist. For creative documentaries, Ginette Lavigne, François Caillat, Florence Pezon, Samuel Poisson-Quinton. It conducts public performances from his scores (eg Plateau-Frac Ile de France 2009), conducts workshops and educational session for different audiences (en 2009 : Alcazar in Marseille, Ghardaia in Algeria ...) De 2001 à 2004, he was a lecturer at Sciences-Po Paris on the theme "Time and time political musical", and worked in 2006 with regular editions Prairies, publishing interviews with historian Arlette Farge (What noise shall we do??), anthropologist Véronique Nahoum-Cluster (Walks policies), and numerous analytical articles and texts on the practice (Duras and music, Cahiers de l'Herne Duras 2006, Fore Opera, For a start to manifest singularities 2009, etc..) His interest in the individual as a possible source of writing leads to some unexpected recently, as evidenced for example in Singularly created by 2008 et 2009-2010. Google machine translation: Jean-Christophe MARTI's original bio |
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| Jean-Christophe MARTI Publisher : Rubin Genre : Chamber Music Group : Contemporary Music |
Full score (RUBIN4214-CO) : € 25,68 Set Wind Band (RUBIN4214-BA) : € 84,46 |
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| Jean-Christophe MARTI Publisher : Rubin Genre : Song and choir Group : Song and piano |
(RUBIN3132) : € 44,81 | ||
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| Jean-Christophe MARTI Publisher : Rubin Genre : Chamber Music Group : Contemporary Music |
Full score (RUBIN1244-CO) : € 36,72 Set Wind Band (RUBIN1244-BA) : € 233,34 |
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| Jean-Christophe MARTI Publisher : Rubin Genre : Song and choir Group : Various choir |
Full score (RUBIN1220-CO) : € 36,72 Set Wind Band (RUBIN1220-BA) : € 187,10 |
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